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The book consists of fragmentary scenes and dreamlike imagery, with a focus on problems related to a lack of privacy and imagination in the digital age.
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This volume addresses the function and impact of vision and dream accounts in the Hebrew Bible. The contributors explore the exegetical, rhetorical, and structural aspects of the vision and dream accounts in the Hebrew Bible, focusing on prophetic vision reports. Several contributors employ a diachronic approach as they explore the textual relationship between the vision reports and the oracular material. Others focus on the rhetorical aspects of the vision reports in their final form and discuss why vision reporting may be used to convey a message. Another approach employed looks at reception history and investigates how this type of text has been understood by past exegetes. A few chapters consider the inter-textual relationship of the various vision reports in the Hebrew Bible, focusing on shared themes and motifs. There are also papers that deal with the ways in which select texts in the Hebrew Bible portray dream/vision interpreters and their activities.
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Rêver est une chance, un don offert par la nature ; se souvenir de ses rêves une bénédiction ! J'ai pris l'habitude de considérer le rêve comme un guide, et d'exposer au plus grand nombre la façon de s'approprier les conseils surgis des ténèbres. Ces rêves ont constitué la matière première de ce livre. On trouvera ici leur description précise, mais aussi les fragments de vie que charrient toujours les rêves. On y lira comment on remonte, et toujours avec l'aide du rêveur, du récit aux pensées, et de ces pensées aux conseils pratiques qui permettent au rêve de s'accomplir dans la vie. On ne trouvera ici ni dictionnaire des symboles ni de sens univoque de je ne sais quel rêve "typique", mais une méthode et un aiguisement de l'esprit au travail du rêve. Chaque lecteur en sortira plus familier avec les rêves, plus curieux des siens et plus ouvert à la multitude de possibles que nous propose l'existence. » T. N. Psychologue hors norme et conteur de génie, Tobie Nathan nous donne ici une méthode rigoureuse pour accéder à nos rêves et des pistes pour les interpréter.
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'Big dreams' are rare but extremely vivid forms of dreaming that make a strong, lasting impact on waking consciousness. Experiences of big dreaming have played prominent roles in religious and cultural traditions throughout history. This book provides an original, evidence-based analysis of big dreams drawing on research from cognitive science and the comparative history of religions. The goal is to shed new light on the classic theory of Nietzsche, Tylor, and others that the origins of religion can be found in dreaming.
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The recent centennial of the original publication of Sigmund Freud's The Interpretation of Dreams has generated a new wave of critical reappraisals of this monumental work. Considered one of the most important books in Western history, scholars from an astonishing variety of academic fields continue to wrestle with Freud's intricate theories and insights. Dreams is a long overdue collection of writing on dreams from many of the top scholars in religious studies, anthropology, and psychology departments. The volume is organized into three thematic sections: traditions, individuals and methods. The twenty-three articles highlight the most important theories, the most contentious debates, and the most far-reaching implications of this growing field of study.
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We all dream; we all share these strange experiences that infuse our nights. But we only know of those nightly adventures when we decide to represent them. In the long history of coming to terms with dreams there seem to be two different ways of delineating our forays into the world of the unconscious: One is the attempt of interpreting, of unveiling the hidden meaning of dreams. The other one is not so much concerned with the relation of dream and meaning, of dream and reality, it rather concentrates on trying to find means of representation for this extremely productive force that determines our sleep. The essays collected in this book explore both attempts. They follow debates in philosophy and psychoanalysis and they study literature, theatre, dance, film, and photography.
Dreams. --- Dreams in literature. --- Dreams in art. --- Dreams in motion pictures. --- Motion pictures --- Dreaming --- Subconsciousness --- Visions --- Sleep --- Dream. --- dance. --- unconsciousness. --- visual arts.
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Nathaniel Wallace’s Scanning the Hypnoglyph chronicles a contemporary genre that exploits sleep’s evocative dimensions. While dreams, sleeping nudes, and other facets of the dormant state were popular with artists of the early twentieth century (and long before), sleep experiences have given rise to an even wider range of postmodern artwork. Scanning the Hypnoglyph first assesses the modernist framework wherein the sleeping subject typically enjoys firm psychic grounding. As postmodernism begins, subjective space is fragmented, the representation of sleep reflecting the trend. Among other topics, this book demonstrates how portrayals of dormant individuals can reveal imprints of the self. Gender issues are taken up as well. “Mainstream,” heterosexual representations are considered along with depictions of gay, lesbian, and androgynous sleepers.
Sleep in literature. --- Sleep in art. --- Dreams in literature. --- Dreams in art.
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Classical literature --- Civilization, Classical. --- Riddles in literature. --- Oracles in literature. --- Dreams in literature. --- History and criticism.
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